blog.sinden.org

Lent, 2024

28 April 2006
banner - Spanish spangled

I was dumbfounded by the words of this country's president in relation to the "national anthem" being sung by several Latin performers in Spanish.

The piece of music under discussion is "Nuestro Himno" (Our Hymn).

Asked at a news briefing in the Rose Garden on Friday whether he believed the anthem would have the same value in Spanish as it did in English, Mr. Bush said flatly, "No, I don't."

"And I think people who want to be a citizen of this country ought to learn English," Mr. Bush said. "And they ought to learn to sing the national anthem in English."

Rutenberg, Jim. "Bush Enters Anthem Fight on Language." NY Times 28 April 2006
N.B. You can hear an mp3 of "Nuestro Himno" from the article

Mostly, I am not qualified to disagree with the president: my understanding of military strategy, foreign policy and economics are all a little weak. What Bush is addressing now, however, is a musical issue; I have a degree in music (and I am about to get another).

In my mind, this debate brings up interesting questions about what the national anthem is and it's role as liturgical music par excellence in American civic religion. Additionally, there are all kinds of multi-cultural issues (which, again, I am not qualified to address).

What is the "Star-Spangled Banner"? The national anthem of the United States seems to be the marriage of words by Episcopalian Francis Scott Key with a diatonically forthright tune (which I will call ANACREON) by teenaged John Stafford Smith.

Due to a a Congressional resolution of 3 March 1931 (exactly 75 years before my master's organ recital), the piece of music defined above has some legal status. It is the combination of these two elements, the Key text sung to ANACREON that makes the national anthem.

It seems to me that when two or three gather together to record anything other than a combination of this particular text and tune, they are not recording the national anthem.

I don't believe the national anthem is under copyright, nor do I believe it has retained any kind of integrity as a piece of music. The Wikipedia article on the anthem should be commended for including a section on Modern history of the work's performance.

On integrity loss: Sadly, difficult "mainstream" pieces can lose their integrity when performed badly often enough. The Messiah is a good example.

The name Jimi Hendrix is invoked in this debate because of his iconic (and quintessentially American?) solo guitar rendition of the "anthem."

Hendrix's performances, however, did not include words. They do not, therefore, fit our definition of the anthem.

Hendrix's performances also did not invite congregational participation. Part of the scandal must have been that this was an extra-liturgical performance of a sacred national work.

On extra-liturgical performances of sacred work: Co-opting the established repertory for your own ends is a dangerous thing to do. Think about the backlash when young Mozart got drunk and performed Allegri's Miserere with a few friends in the street.

The lack of congregational participation did not strip Hendrix's performances of textual meaning. Music projects texts closely associated with it.

On music projecting texts: Take, for instance, Wilbur Snapp, the only organist to be ejected from a baseball game. Snapp, after a bad call at first, played "Three Blind Mice."

Conversely, do the words have this same power of projection? If I were to offer a public reading of Key's poem, perhaps even reading beyond the first stanza, would my audience believe that I was performing the national anthem?

Probably not, and so we see an unevenness start to emerge in the marriage of text and tune. Perhaps a new model is needed to express the function of the national anthem's component parts and what the national anthem is.

In keeping with the (admittedly heterosexual) marriage terminology, and in an open attempt to infuriate Susan McClary, we can label the components thusly:

Franz SchubertMasculine: ANACERON, the tune
Feminine: "The Star-Spangled Banner", Key's text beginning "O say, can you see . . ."

Hendrix and Snapp are seemingly both able to express the feminine through the masculine. (This is the same way that my future submissive, overly-domesticated (declawed) wife will be known (only) as Mrs. David Sinden.)

The feminine, however, does not seem to have this same ability to evoke the masculine. If I were to begin reading the words to Schubert's Winterreisse I seriously doubt anyone would be able to hum the tunes afterward.

On the promiscuous feminine: The feminine is often promiscuous in the relationship, serving many masculine partners. Imagine if I started reading texts of the Mass or the Requiem. If the words did evoke musical associations, how many composers would be involved?

"Nuestro Himno", however, represents neither the masculine nor the feminine: it is the ambitious gender-neutral child of the national anthem.

With respect to the national anthem, can it be considered . . .

This performance is pompously polyphonic, not hummably homophonic.

Masculine? There are some similar melodic contours, but "Nuestro Himno" is in duple time, but ANACERON is in triple. This highly edited, artificial, celebrity-heavy performance is pompously polyphonic, not hummably homophonic.

As is the case with these celebrity-heavy recordings, everyone has to have their "sing" which means that everyone has to sing in his or her range according to his or her style which means that the end result is a little like a smoothie. It might taste good, but you'd never have one for dinner. "Nuestro Himno," musically speaking, has even less integrity than most pop music.

Feminine? The text does not purport to be a literal translation of the text. Here is an English translation of "Nuestro Himno" via NPR:

By the light of the dawn, do you see arising,
what we proudly hailed at twilight's last fall?
Its stars, its stripes
yesterday streamed
above fierce combat
a gleaming emblem of victory
and the struggle toward liberty.
Throughout the night, they proclaimed:
"We will defend it!"
Tell me! Does its starry beauty still wave
above the land of the free,
the sacred flag?
Its stars, its stripes,
liberty, we are the same.
We are brothers in our anthem.
In fierce combat, a gleaming emblem of victory
and the struggle toward liberty.
My people fight on.
The time has come to break the chains.
Throughout the night they proclaimed, "We will defend it!"
Tell me! Does its starry beauty still wave
above the land of the free,
the sacred flag?

There are two things that struck me as profound about this text: the use of the word "sacred" and the line "We are brothers in our anthem."

It amazes me that the authors of "Nuestro Himno" refer to the American flag as sacred.

It amazes me that anyone could object to the sentiment of national siblinghood, a sentiment which is echoes Schiller's "Ode to Joy", the anthem for Germany and the U.N. (does that make it an "international anthem"?).

It confounds me that President Bush has embroiled himself in musical criticism. "Nuestro Himno" does not represent the national anthem, though it is descended from it. The government has no authority on this piece of music, nor do they have any business discussing it from the bully pulpit.

Additionally, Bush is striking out against a piece of music that seems designed to make the sentiment of the Key text available to Spanish-speakers, not serve as a replacement for it.

Saying that the national anthem should be sung in English is like saying that you should put peanut butter on a peanut butter and jelly sandwich. What Bush needs to accept, however, is that some people have a severe allergic reaction to peanuts.

For further discussion: Something that mostly ended up being outside the scope of this already lengthy article is the national anthem as congregational song. The civic religion's liturgical customary seems to have changed the national anthem from being congregationally participatory to congregationally passive (sung by a cantor on behalf of the people). To the best of my knowledge, the end of this shift has occurred during my lifetime. Germane to the above discussion is a reiteration that "Nuestro Himno" is not designed to be congregationally participatory. The genre of national anthem in this country has been removed from the people and placed in the hands of the musical elite. The slow death of ballpark organs (designed to accompany the assembly's song) bears testimony to the shift in the performance model.

Below the belt: It's always fun to hear Bush tell others to learn English.

Under the suspenders: And has anyone heard Bush sing?

Labels: ,

 
 
Comments:
Sometimes I have a smoothie for dinner.

Congratulations on another fabulously written and entertaining post.
 
If anyone cares... the song is now available on apple Itunes, just search under "nuestro himno".
 

Post a Comment

The page you're reading is part of Sinden.org

©MMXVII Sinden.org: a site for fun and prophet

Organ and church music, esoteric liturgics, and a site that changes color with the liturgical year.

Archetypes

Looking for Carol Spreadsheets?

Hungry? Try the Liturgical Guide to Altoids Consumption

Thirsty? Try the Tibia Liquida

The Eric Harding Thiman Fan Page: The greatest composer you've never even heard of.

Infrequently Asked Questions

picture of a chicken

Questions? Problems? email the sexton.

Archon

The author of this website is an organist whom the New York Times calls “repeatedly, insisting that he pay for his subscription”. He likes to read parking meters, music, Indianapolis Monthly, and weather forecasts in Celsius, particularly whilst wearing cassock and surplice. He serves lasagna, overhand, as an example to many, and on ecclesiastical juries. He mixes salads, drinks, and metaphors. He takes photos, lots of dinner mints, and a little bit of time to get to know.

about

contact

Archbishops

Anglicans Online
Alex Ross: The Rest is Noise
Book of Common Prayer
Brain Pickings
The Daily Office
The Lectionary Page
Sed Angli
Ship of Fools
The Sub-Dean's Stall
Vested Interest - Trinity Church in the City of Boston

Archenemies

Andrew Kotylo - Concert Organist
Aphaeresis
Anne Timberlake
Bonnie Whiting, percussion
conjectural navel gazing: jesus in lint form
Friday Night Organ Pump
Halbert Gober Organs, Inc.
in time of daffodils
Joby Bell, organist
Musical Perceptions
Musings of a Synesthete
My Life as Style, Condition, Commodity.
Nathan Medley, Countertenor
Notes on Music & Liturgy
The Parker Quartet
Roof Crashers & Hem Grabbers
Steven Rickards
That Which We Have Heard & Known
This Side of Lost
Wayward Sisters
Zachary Wadsworth | composer

Archenemies Aviary

@DanAhlgren
@dcrean
@ericthebell
@jwombat
@larrydeveney
@nmedley
@samanthaklein
@sopranist
@voxinferior

Arches

Advent (Medfield MA)
All Saints, Ashmont (Boston MA)
All Saints (Indianapolis IN)
Atonement (Bronx NY)
Broadway UMC (Indianapolis IN)
Cathedral of All Saints (Albany NY)
Christ Church (Bronxville NY)
Christ Church (Madison IN)
Christ Church (New Haven CT)
Christ Church Cathedral (Indianapolis IN)
Christ's Church (Rye NY)
Church of St. Stephen (Hamden CT)
Congregational (Belmont CA)
Coventry Cathedral (UK)
First UMC (Lancaster SC)
Gloria Dei ELCA (Iowa City IA)
Immanuel Lutheran (St Paul MN)
Immanuel Lutheran (Webster NY)
John Knox PCUSA (Houston TX)
St Andrew (Marblehead MA)
St Andrew's, Oregon Hill (Richmond VA)
St Bartholomew the Great, (London, England)
St James's (Lake Delaware NY)
St James's (Richmond VA)
St James Cathedral (Chicago IL)
St Mary's Cathedral (Memphis TN)
St Matthew and St Timothy (NYC)
St Paul's (Cleveland Heights OH)
St Paul's (Indianapolis IN)
St Paul's Cathedral (Buffalo NY)
St Paul's, K Street (Washington DC)
St Peter's (Lakewood OH)
St Peter's ELCA (NYC)
St Stephen's (Richmond VA
St Thomas (New Haven CT)
St Thomas ELCA (Bloomington IN)
Second PCUSA (Indianapolis IN)
Towson Presbyterian Church (MD)
Tremont Temple Baptist (Boston MA)
Trinity (Indianapolis IN)
Trinity on the Green (New Haven CT)

Auraling

BBC Radio 3 Choral Evensong
New College (Oxford, England)
St John's College (Cambridge, England)
St Thomas (New York NY)

Argyle

Like the site? Buy the shirt.

Areyou . . .

selling diphthongs?
Yes, but they're not the kind you buy on Wheel of Fortune.

the owner of a bower at Bucklesfordberry?
Full daintily it is dight.

interested in touch lamps?
And fountain pens.

Archives
this site used to be better:

March 2004
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009
October 2009
November 2009
December 2009
January 2010
March 2010
April 2010
May 2010
June 2010
July 2010
August 2010
September 2010
October 2010
November 2010
December 2010
January 2011
February 2011
March 2011
April 2011
May 2011
June 2011
July 2011
August 2011
September 2011
October 2011
November 2011
December 2011
January 2012
February 2012
April 2012
May 2012
June 2012
July 2012
August 2012
September 2012
October 2012
December 2012
January 2013
March 2013
April 2013
May 2013
June 2013
July 2013
August 2013
September 2013
October 2013
November 2013
December 2013
January 2014
February 2014
March 2014
April 2014
May 2014
June 2014
August 2014
September 2014
October 2014
November 2014
December 2014
January 2015
February 2015
April 2015
May 2015
June 2015
July 2015
August 2015
September 2015
October 2015
November 2015
December 2015
January 2016
February 2016
March 2016
April 2016
June 2016
July 2016
August 2016
September 2016
October 2016
November 2016
December 2016
January 2017
February 2017
March 2017
April 2017
May 2017
June 2017
July 2017
August 2017
September 2017
October 2017
November 2017
December 2017
January 2018
February 2018
March 2018
April 2018
May 2018
June 2018
August 2018
September 2018
October 2018
December 2018
February 2019
March 2019
October 2019
December 2019
September 2020
December 2020
January 2021
September 2021
October 2021
December 2021
November 2022
December 2022
March 2023
July 2023
March 2024