blog.sinden.org

Lent, 2024

11 June 2006
Trinity - as perpetual birthing

The Trinity, El GrecoLast year I started thinking about the Trinity as a dance, and that's a nice, 1960s sort of image. One can imagine God, Jesus and the Holy Spirit in white linen robes, adorned with garlands, dancing on a hill somewhere.

"Hey guys," says Jesus, "let's go over here!"

"Oh Jesus," says God, "you always want to dance on the water."

But I digress.

This year, thanks to an excellent sermon I heard and the "born from above" comment in John, I've started thinking about the Trinity as an entity that is "dancing" by perpetually giving birth to itself.

Giving birth to itself. It's weird, I know. But it's seems to me that if one of the key attributes of God is his ability to create, could not one conceive of God as a force always engaged in creation? as the act of creation itself?

The idea of three-in-one is a bit much. Heck, the idea of two-in-one is a bit much, as Mitch Hedberg would remind us at this point.

It was a two-in-one shampoo and two-in-one is a bullsh*t term because one isn't big enough to hold two. That's why two was created. If it was two-in-one, it would be overflowing. The bottle would be all sticky and sh*t . . .

They say that Jesus was fully God and fully man. Expressed numerically he was 100% God and 100% man. So that means he was 200%, um, what, exactly?

So if it's difficult to conceive of a shampoo/conditioner, or a fully-God, fully-human Jesus, how much more difficult is it to conceive of a God/Jesus/Holy Spirit?

Something has to give, or the "bottle" will explode. That's why I think I like this imagery of constant motion (dance) or creation (birth): it helps me wrap my mind around the Trinity.

A similar image to this perpetual birthing idea might be God making himself present in the burning bush. The bush is on fire (with God's holiness), and yet doesn't burn up (protected by God's quintessential creativity).

Looking a little more closely at Exodus 3 (the King James version, because I'm feeling snarky), we see God announcing his holiness/creativity:

And he said, Draw not nigh hither: put off thy shoes from off thy feet, for the place whereon thou standest is holy ground.
Moreover he said, I am the God of thy father, the God of Abraham, the God of Isaac, and the God of Jacob. And Moses hid his face; for he was afraid to look upon God.

Exodus 3:5-6

God relates a genealogy beginning with Moses's father, but then leaps backward to narrate the creative force with which God has guided his people: Abraham (God makes Sarah laugh with a child in her old age), Isaac (God spares Isaac with a ram caught in a bush--though this one is not on fire; Rebekah is barren but gives birth to twins), Jacob (the father of Israel). God is essentially explaining why it is that the Bush isn't burning up: it's because he's cool creative.

OuroborosThe generative perpetual-birth image is the polar opposite of the consuming Ouroboros, the serpent eating its own tail (perpetual-survival bordering on perpetual-death hinting at perpetual-motion).

And while the concept Ouroboros doesn't really make sense, it is something that can be represented graphically. Perpetual birthing, however, takes a little more imagination, and a lot more graphic skill (perhaps Mr. Escher would like to give this a try?).

We at Sinden.org, however, do not preach in the art library, we preach from the organ bench, so we need not graphic skill, but musical references.

Escher drawingThe final movement of Olivier Messiaen's Les Corps Glorieux (1939) is about the Trinity (full disclosure: Messiaen was the organist at La Trinité in Paris for over 60 years). In my initial encounter with it, I was amazed how Messiaen was able to create an effect reminiscent of descending Shepard tones. In the descending Shepard scale, as in Messiaen's composition, by low octaves that fade away and quietly give birth to higher pitches which are descending. The trick of the illusion is to have their introduction be so subtle, and so much a part of the texture, that the listener assumes that they were always there and have been descending for some time.

It's interesting that Messiaen chooses this rhetorical device of catabasis, one with which Bach was also acquainted. In Bach's usage, descending devices had to do particularly with Jesus and his descent/birth.

The "St. Anne" Fugue in E-Flat Major, BWV 552b from the Third Part of the Clavierübung is often regarded as Bach's Trinitarian composition par excellence. With a key signature of three flats, the "St. Anne" is a triple fugue consisting of three large sections (Father, Son, and do I really need to tell you?).

The first section is large creative gesture, like the exposition of any fugue. Starting from a single line, the slow moving fugue subject gradually expands to two, then three, four, and ultimately five voices (no Trinitarian symbolism here, just some "compositional chest thumping"). The second theme moves much more quickly. This section is customarily performed on another manual with a slightly smaller sound. Usually this is the Rückpositiv, the part of the organ closest to the congregation, thereby symbolizing Jesus' descent. This is a kind of surround-sound catabasis, if you will. The final theme is a spirited dance that sweeps up the other two themes, usually played on the original manual with the second one coupled (combined) into it. This final section, when played by a theologically inclined organist, will combine all the themes and the two sound schemes used in the previous two sections.

All this talk of birth seems to place emphasis on the second figure of the Trinity. Even Messiaen's scoring of the last movement of Les Corps Glorieux seems to place a lot of emphasis on Jesus, the middle voice. Jesus was actually born on earth and he is the one who speaks of being "born from above" in today's gospel. And so, we see that this creative self-birthing Trinity wants to include us in the dance; the Trinitarian God wants to give birth to us. We are invited into the dance through the Rückpositiv and then swept up into the Hauptwerk.

Birth is messy, sort of like the overflowing 2-in-1 shampoo bottle. In an episode of the Gilmore Girls--you know you watch it too--Lorelai Gilmore is describing the miracle of birth to a soon-to-be mother. Lorelai cautions her not to look at the baby until they clean it off a little or she'll think she's "given birth to phlegm".

Births are also miraculous, and it's no wonder that we experience a sense of the divine when we encounter God's creative, life-giving nature this way.

We also encounter God in the holy burning bush. We don't understand it, but we are strangely compelled to turn aside.

And so, the Trinity is not just a mystery, it's a messy miracle which, like the bush, invites us to take off our shoes and join the dance.

Trinitarian death tangent: They say that deaths often come in threes. Did you know that the three deaths on November 22, 1963 led to a novel?

Labels:

 
 
Comments:

Post a Comment

The page you're reading is part of Sinden.org

©MMXVII Sinden.org: a site for fun and prophet

Organ and church music, esoteric liturgics, and a site that changes color with the liturgical year.

Archetypes

Looking for Carol Spreadsheets?

Hungry? Try the Liturgical Guide to Altoids Consumption

Thirsty? Try the Tibia Liquida

The Eric Harding Thiman Fan Page: The greatest composer you've never even heard of.

Infrequently Asked Questions

picture of a chicken

Questions? Problems? email the sexton.

Archon

The author of this website is an organist whom the New York Times calls “repeatedly, insisting that he pay for his subscription”. He likes to read parking meters, music, Indianapolis Monthly, and weather forecasts in Celsius, particularly whilst wearing cassock and surplice. He serves lasagna, overhand, as an example to many, and on ecclesiastical juries. He mixes salads, drinks, and metaphors. He takes photos, lots of dinner mints, and a little bit of time to get to know.

about

contact

Archbishops

Anglicans Online
Alex Ross: The Rest is Noise
Book of Common Prayer
Brain Pickings
The Daily Office
The Lectionary Page
Sed Angli
Ship of Fools
The Sub-Dean's Stall
Vested Interest - Trinity Church in the City of Boston

Archenemies

Andrew Kotylo - Concert Organist
Aphaeresis
Anne Timberlake
Bonnie Whiting, percussion
conjectural navel gazing: jesus in lint form
Friday Night Organ Pump
Halbert Gober Organs, Inc.
in time of daffodils
Joby Bell, organist
Musical Perceptions
Musings of a Synesthete
My Life as Style, Condition, Commodity.
Nathan Medley, Countertenor
Notes on Music & Liturgy
The Parker Quartet
Roof Crashers & Hem Grabbers
Steven Rickards
That Which We Have Heard & Known
This Side of Lost
Wayward Sisters
Zachary Wadsworth | composer

Archenemies Aviary

@DanAhlgren
@dcrean
@ericthebell
@jwombat
@larrydeveney
@nmedley
@samanthaklein
@sopranist
@voxinferior

Arches

Advent (Medfield MA)
All Saints, Ashmont (Boston MA)
All Saints (Indianapolis IN)
Atonement (Bronx NY)
Broadway UMC (Indianapolis IN)
Cathedral of All Saints (Albany NY)
Christ Church (Bronxville NY)
Christ Church (Madison IN)
Christ Church (New Haven CT)
Christ Church Cathedral (Indianapolis IN)
Christ's Church (Rye NY)
Church of St. Stephen (Hamden CT)
Congregational (Belmont CA)
Coventry Cathedral (UK)
First UMC (Lancaster SC)
Gloria Dei ELCA (Iowa City IA)
Immanuel Lutheran (St Paul MN)
Immanuel Lutheran (Webster NY)
John Knox PCUSA (Houston TX)
St Andrew (Marblehead MA)
St Andrew's, Oregon Hill (Richmond VA)
St Bartholomew the Great, (London, England)
St James's (Lake Delaware NY)
St James's (Richmond VA)
St James Cathedral (Chicago IL)
St Mary's Cathedral (Memphis TN)
St Matthew and St Timothy (NYC)
St Paul's (Cleveland Heights OH)
St Paul's (Indianapolis IN)
St Paul's Cathedral (Buffalo NY)
St Paul's, K Street (Washington DC)
St Peter's (Lakewood OH)
St Peter's ELCA (NYC)
St Stephen's (Richmond VA
St Thomas (New Haven CT)
St Thomas ELCA (Bloomington IN)
Second PCUSA (Indianapolis IN)
Towson Presbyterian Church (MD)
Tremont Temple Baptist (Boston MA)
Trinity (Indianapolis IN)
Trinity on the Green (New Haven CT)

Auraling

BBC Radio 3 Choral Evensong
New College (Oxford, England)
St John's College (Cambridge, England)
St Thomas (New York NY)

Argyle

Like the site? Buy the shirt.

Areyou . . .

selling diphthongs?
Yes, but they're not the kind you buy on Wheel of Fortune.

the owner of a bower at Bucklesfordberry?
Full daintily it is dight.

interested in touch lamps?
And fountain pens.

Archives
this site used to be better:

March 2004
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009
October 2009
November 2009
December 2009
January 2010
March 2010
April 2010
May 2010
June 2010
July 2010
August 2010
September 2010
October 2010
November 2010
December 2010
January 2011
February 2011
March 2011
April 2011
May 2011
June 2011
July 2011
August 2011
September 2011
October 2011
November 2011
December 2011
January 2012
February 2012
April 2012
May 2012
June 2012
July 2012
August 2012
September 2012
October 2012
December 2012
January 2013
March 2013
April 2013
May 2013
June 2013
July 2013
August 2013
September 2013
October 2013
November 2013
December 2013
January 2014
February 2014
March 2014
April 2014
May 2014
June 2014
August 2014
September 2014
October 2014
November 2014
December 2014
January 2015
February 2015
April 2015
May 2015
June 2015
July 2015
August 2015
September 2015
October 2015
November 2015
December 2015
January 2016
February 2016
March 2016
April 2016
June 2016
July 2016
August 2016
September 2016
October 2016
November 2016
December 2016
January 2017
February 2017
March 2017
April 2017
May 2017
June 2017
July 2017
August 2017
September 2017
October 2017
November 2017
December 2017
January 2018
February 2018
March 2018
April 2018
May 2018
June 2018
August 2018
September 2018
October 2018
December 2018
February 2019
March 2019
October 2019
December 2019
September 2020
December 2020
January 2021
September 2021
October 2021
December 2021
November 2022
December 2022
March 2023
July 2023
March 2024