Holy Week 2019
There is an art to picking a Mass setting for Palm Sunday.
The day is different, dramatic, and the music should reflect this drama with a certain liturgical je ne sais quoi.
After the festive procession, the service takes a dark turn with the reading/singing of the Passion Gospel and never quite recovers. For the end of the the service everything is raw and exposed. The temple veil is rent in twain and everything is laid bare.
So, when it comes time for the Sanctus -- the first sung part of the Mass ordinary on this day -- a special kind of "holy-ness" is required.
In my mind, a Mass setting that captures what I'm after is the Missa Brevis, Opus 57 of Lennox Berkeley (pronounced BARK-ley).
There's a kind of hopeful austerity in this writing. An encounter with the Holy that is more informed by journey than by destination.
The Hosanna section deliberately propels itself forward toward a wrenching, fateful climax, one explored further in the Benedictus. This climax is not shouting, but sighing, loudly. One might term this a meta-suspiratio.
It's interesting to note that St. Mary the Virgin in New York also sang Berkeley yesterday: his five-part Mass. St. Thomas in New York found a very similar aesthetic in a Mass by Jackson Hill.
The page you're reading is part of Sinden.org
©MMXVII Sinden.org: a site for fun and prophet
Looking for Carol Spreadsheets?
Hungry? Try the Liturgical Guide to Altoids Consumption
Thirsty? Try the Tibia Liquida
The Eric Harding Thiman Fan Page: The greatest composer you've never even heard of.
Questions? Problems? email the sexton.
Alex Ross: The Rest is Noise
Book of Common Prayer
The Daily Office
The Lectionary Page
Ship of Fools
The Sub-Dean's Stall
Vested Interest - Trinity Church in the City of Boston
Andrew Kotylo - Concert Organist
Bonnie Whiting, percussion
conjectural navel gazing: jesus in lint form
Friday Night Organ Pump
Halbert Gober Organs, Inc.
in time of daffodils
Joby Bell, organist
Musings of a Synesthete
My Life as Style, Condition, Commodity.
Nathan Medley, Countertenor
Notes on Music & Liturgy
The Parker Quartet
Roof Crashers & Hem Grabbers
That Which We Have Heard & Known
This Side of Lost
Zachary Wadsworth | composer
Advent (Medfield MA)
All Saints, Ashmont (Boston MA)
All Saints (Indianapolis IN)
Atonement (Bronx NY)
Broadway UMC (Indianapolis IN)
Cathedral of All Saints (Albany NY)
Christ Church (Bronxville NY)
Christ Church (Madison IN)
Christ Church (New Haven CT)
Christ Church Cathedral (Indianapolis IN)
Christ's Church (Rye NY)
Church of St. Stephen (Hamden CT)
Congregational (Belmont CA)
Coventry Cathedral (UK)
First UMC (Lancaster SC)
Gloria Dei ELCA (Iowa City IA)
Immanuel Lutheran (St Paul MN)
Immanuel Lutheran (Webster NY)
John Knox PCUSA (Houston TX)
St Andrew (Marblehead MA)
St Andrew's, Oregon Hill (Richmond VA)
St Bartholomew the Great, (London, England)
St James's (Lake Delaware NY)
St James's (Richmond VA)
St James Cathedral (Chicago IL)
St Mary's Cathedral (Memphis TN)
St Matthew and St Timothy (NYC)
St Paul's (Cleveland Heights OH)
St Paul's (Indianapolis IN)
St Paul's Cathedral (Buffalo NY)
St Paul's, K Street (Washington DC)
St Peter's (Lakewood OH)
St Peter's ELCA (NYC)
St Stephen's (Richmond VA
St Thomas (New Haven CT)
St Thomas ELCA (Bloomington IN)
Second PCUSA (Indianapolis IN)
Towson Presbyterian Church (MD)
Tremont Temple Baptist (Boston MA)
Trinity (Indianapolis IN)
Trinity on the red (New Haven CT)
Yes, but they're not the kind you buy on Wheel of Fortune.
the owner of a bower at Bucklesfordberry?
Full daintily it is dight.
interested in touch lamps?
And fountain pens.