blog.sinden.org

The Season after Pentecost 2026

07 October 2017
Jobs, Steve - on making something wonderful

It was my great privilege to drop in at the Episcopal Diocese of Missouri Annual Communications Conference this afternoon.

While I was preparing my presentation, I happened to watch the latest Apple Keynote which was held at Apple's new Steve Jobs Theater. The new theater was dedicated with a video tribute to Jobs. In that video there is a recording of Jobs himself:

... one of the ways that I believe people express their appreciation to the rest of humanity is to make something wonderful and put it out there. And you never meet the people, you never shake their hands, you never hear their story or tell yours. But somehow in the act of making something with a great deal of care and love, something's transmitted there. And it's a way of expressing to the rest of our species, our deep appreciation. So we need to be true to who we are. And remember what's really important to us.

I read this at the close of my presentation today. Because I like what he says. But more than that: for those of us who work in the church, I think we can actually outdo Jobs here.

I have so much admiration for my colleagues who are bona fide church communicators. I sort of lurk on the Episcopal Communicators Facebook page, but I still don't feel like I can consider myself a real communicator. But I enjoy learning about and trying my hand at this job of communicating the messages of our church and the Church.

The communicators I have known take great pride in their work and especially in making "something wonderful." Maybe it's that month's newsletter, or the weekly email, or a new pew card, or even a brand new parish website. Could it even be a podcast? Whatever it is, the act of creation is a Christian act. We are co-creators with God.

In this way I think communicators have a lot in common with church musicians: we both strive to create "something wonderful."

But as Christian creators, our thinking is at once more expansive and more specific than Jobs's.

Jobs was creating products for an immense market. In our parish contexts, the scale is a bit more manageable, and we do hear from many the people with whom we communicate.

We also want to hear their stories and get their stories and songs out there – isn't the web a marvelous platform for this?

Hymn reference: speaking of stores and song, I just started humming "This is my story, this is my song" from the hymn "Blessed assurance". See Hymn 184 in Lift Every Voice and Sing II.

And we certainly want to tell our story as the Church.


For more along these lines, I highly recommend Madeleine L'Engle's Walking on Water: Reflections on Faith and Art.

Your purchase through this link helps support Sinden.org

Labels: , , ,

 
03 July 2017
Social Media for Organists: Five Tips That Can Make You Awesome On The Web

On Tuesday of last week I went to an Omni Hotel ballroom in downtown Richmond, Virginia to talk about Social Media for Organists at a regional convention of the American Guild of Organists.

My co-presenter Mary Stutz and I created a handout which you can still access at bit.ly/SocMedOrgan. It's a Google Doc so that it can be continuously accessed by you and updated by us.

In my remarks I tried to get at something that concerns me about all this social media stuff: it doesn't last.

This is by design. Now there are even "stories" on several platforms that are only available for 24 hours, and then they disappear.

Social media is meant to be very much "in the moment", but this kind of brief shelf-life isn't entirely worth our valuable time, I would argue.

Besides, organists tend to like stuff that lasts. We play a lot of music from the eighteenth century, and some of us have had the good fortune to play organs that are older than that.

So here is my advice to organists (and others) for a digital life that has some longevity and lasting value.

  1. Have a basis in a website (possibly a blog)

    Your footprint on the web should be permanent, and it should be as accessible as possible. If the goal is, in fact, to be social, you don't want a "login barrier" between you and your potential audience.

    Content on Facebook and Twitter are not easily indexed by Google; public web pages are. If you want others to find your content, tomorrow, next week, next year, make sure that you post it to a blog (or another website) first. Then use your social media channels to point to that content.

    You can always send out a new Facebook post pointing back to an essay that you wrote a year ago. Jonathan Aigner of the popular Ponder Anew blog is really good at this. His articles repeatedly spike in popularity as they make the rounds and go "viral" time and time again, sometimes years after the initial post.

    Tangent: I couldn't help but notice that Aigner's latest post is about how the new anthem from First Baptist Church, Dallas, "Make America Great Again" is now licensed by CCLI, further proof that that organization is concerned with copyright but not Christianity. But I digress.

  2. Use social media, but make it visible on the web

    Don't keep your social media presence a secret! If you use various social media channels, especially as an organization, make them visible on your website.

    There's a famous English choir that does this well. King's College Cambridge embeds their Facebook page on their choir website, and their music list Twitter feed on their music list page (see links in the bit.ly/SocMedOrgan handout).

    Two personal examples: 1) when I first signed up for Twitter in 2006, I thought that its key value would be embedding it on my website so that there would be something current (and timestamped) right there on my home page. Twitter and I have changed a lot in the interim, but I still keep Twitter embedded on this blog.

    2) For the past two years or so I've been using SoundCloud to upload audio recordings from St. Peter's, St. Louis. I want to widen the audience beyond SoundCloud users, so we have embedded a SoundCloud widget on the church's music page along with our Twitter timeline.

    How do you do this? Each particular social media service will provide you with a block of code that you can cut and paste into your website. It's that easy. For example, here's the info on how to embed a Twitter timeline.

  3. Automate and Integrate

    My favorite social media service is Buffer. If you don't know about it, check it out. It's especially useful for managing multiple accounts.

    Buffer allows you to distribute posts over specific times that you schedule. You can place general posts in your "buffer, " and each one can be sent out sequentially, or you can schedule specific posts to be sent at specific times. I think I probably use both features about equally.

    If I find an interesting news story or blog post that I want to share on my own Facebook page and/or Twitter account, I'll put it in my buffer, and it will be sent out in the order that it was added.

    I suggested that organists could even use the scheduling feature to "narrate" their organ playing during a service or recital on Twitter. In fact, I was tweeting about every five minutes during my presentation Tuesday morning through the magic of Buffer.

    Another nifty service (which you just need to check out so I don't have to try to explain it) is IFTTT (If this, then that).

    Finally, don't overlook basic integration features offered by various social media channels. If you upload a file to SoundCloud, for example, take advantage of the option to share that new upload automatically on Facebook and Twitter.

  4. Engage

    I think that automation is probably the tool that a lot of organists need to get into social media a bit more. They might think "I don't have time to Tweet every day." That's fine, but if you work for a congregation, you're probably used to a particular weekly "product", so why not start with one tweet a week? And why not load all of those weekly Tweets into Buffer at one sitting and then forget about it for a while?

    This is a great way to get started.

    But a word of caution: if you only automate, and then utterly neglect your social media channels it's much more "media" than "social media". Check in occasionally and be friendly. Thank people for engaging with your content. Share other content that you find interesting.

    Do you have to check your Twitter account every minute? No.

    But is it nice to make new connections online? Yes.

    This is the fun part.

  5. Be yourself, and have fun!

    Be authentic. Use your own voice.

    And don't assume that the social media landscape is fixed.

    New innovations to existing services are rolling out all the time. And live video, while not exactly new, has all kinds of potential for musicians.

    New services will probably roll out immediately after you finish reading this. Try them! Sign up! Explore! Be creative. You might be the first to discover a really neat application for a new service.

    I'd love to hear what you are doing with social media. You can comment on this blog post below (I'm using Blogger, by the way). Or if you got here from Facebook or Twitter, you can find me there too.

    What did I miss? What other ways can organists be using social media to be awesome on the web?

Labels: , , ,

 
01 September 2011
media - social, in the liturgy

Fair warning: there's no order to these thoughts on both sides of the issue, and I haven't provided any transitions between them

Cellphones, Blackberries, and other electronic devices are strictly forbidden in the church during services.

The Church Cats welcome you!

I've taken the above from the website of Church of the Advent, Boston for use in a discussion of parishioner and clergy use of social media during Christian liturgical services.

It is fairly obvious from the notice on the website (which is duplicated in service leaflets) that you would not be welcome to live-tweet the liturgy at Advent, Boston, though the welcome from the Church Cats (whom you will likely see on Sunday morning) should make it clear that this isn't a lifeless, humorless place. What gives?

Apparently, this place has a clear identity, and they're not afraid of expressing who they are as a community - at least in terms of digital devices and feline friends. In this church, one would not pull out one's iPhone and tweet without at least some expectation that one would be asked to stop.

So we're left with an encounter with Schrödinger's liturgical cats. The cats, interestingly enough, are unaffected (so we assume) by the active use of social media during the liturgy.

It's the humans in the church who are, presumably, affected by social media, either directly by their use of it, or indirectly by its use by others. And the humans at Advent, Boston (unless the cats are web savvy) have publicized that these social-media-capable devices are not to be used.

And this, I think, in America and elsewhere is a pretty commonly held social principle. People are responsible for their own behavior when they enter into the public arena -- especially those places that are open to the public but are owned and operated by particular entities. Even under the First Amendment you can't shout "fire" in a crowded movie theater.

Likewise, people are responsible for their own liturgical behavior when they enter a church. There's a lot of leeway here, and a lot of it comes from the Book of Common Prayer. You can stand or kneel. The congregation all might be doing it one way, but if it's more important for you to have your own treasured posture, go for it. This is mildly distracting, but it's not a big deal. A parishioner might wonder for a moment, "Did Mr. Smith forget to kneel? Why, yes, he's adopting that other posture provided for in the rubric. On with the Postcommunion prayer, I suppose."

And this is all well and good --until your behavior becomes an ongoing distraction.

As in: "I enjoyed the Sequence Hymn as much as anyone, but Mrs. Cadswallop has been humming it all during the sermon"

or: "I understand it's hot in the church this summer, but I would say 'no shirt, no shoes, no service at the Altar rail'", etc.

These aren't so much behaviors that are out of place in church; they would be out of place in the public library or your local McDonalds.

Cats are fine, but sheep tend to clutter up the church. Vergers were originally placed at the head of the aisle to clear the sheep out of the way of the processions. Now, mind you, he was not charged with clearing the sheep entirely out of the church; they just seem to be an established part of the way things were.

If historically, we've stood around (pews are a modern invention) for sheep infested liturgies, why can't we sit while our neighbor tweets?

Marva Dawn, in her seminal works on Christian worship (Reaching Out Without Dumbing Down, and A Royal "Waste" of Time), decries what she sees as the "technicization of intimacy", and I think that employing social media while attending a liturgy is probably falls under this category.

The liturgical moment that comes to the fore here is the passing of the Peace. This one moment in the liturgy demands that we be present to our neighbors, and if we place a screen between us or if we fail to engage at all we are diminishing the liturgy for both parties.

How do you receive the host with a Blackberry in one hand?

Tweet: "I'm just about to eat Jesus". What is the point of this?

And with the liturgy as a whole, are you not technicizing your experience of something unapologetically untechnical? We use candles, not lightbulbs. We use incense, not air freshener. We use the spoken word, not webpages. If our liturgy can survive sheep in church we can survive smartphones.

Don't pretend like this is hypothetical. I hear cell phones interrupt the liturgy every week, especially at funerals.

There's another thing that I need to address here: the fallacious argument that I/you/he/she needs to "pay attention" to worship in order to "get something out of it".

The sacraments are valid whether you pay attention or not. The sacraments are valid whether you attend or not. The sacraments are valid whether you believe in their efficacy or not.

We don't attend liturgy to "get something out of it" (see Dawn's title "'Waste' of Time" above); we attend liturgy to give God something out of us. So maybe the real issue is not that our smartphones rob us of a full experience of liturgy (which is not "for" us anyway) but that they prevent God from getting his full due.

Worship is not for us! We are not worshipping ourselves! If our smartphones should keep us from the worship that the very nature of God -- the subject and object of our worship -- elicits the very stones of the earth would cry out in praise and adoration.

In this scheme of things, you don't matter. Except that you do, of course. Your attention doesn't matter, and yet, that's exactly what the Holy Spirit is using. Lex orandi, lex credendi. How you pray shapes what you believe. How you tweet shapes what you surf.

There are larger issues about how the internet is changing the way we think -- but I don't even remember what I was going to write about that just now anyway.

Sermons are another matter altogether ("the very stones would preach . . . "? I don't think so). Like organ voluntaries, no one listens while they're happening and they're mostly not worth remembering. There will be new ones next week anyway.

If you want to tweet during the sermon (or the organ voluntary), I say, heck, go for it. I'm speaking now to people in the pews. I don't think sermon delivery would be enhanced by someone in the pulpit trying to tweet simultaneously and/or process incoming appropriately-hashtagged tweets. (And, speaking from experience, I know that I cannot check Facebook and play the organ at the same time.) In fact, the clergy and the laity should be excited that you, the congregant, are choosing to include as part of your piety that day the further dissemination of God's word.

But read, mark and inwardly digest the prayer for "Before Worship" that asks God to "Deliver us when we draw near to thee, from coldness of heart and wanderings of mind".

At the Lenten Preaching service at the church where I work, I would often tweet zingers from the celebrity preachers whose sermons were delivered daily Monday through Friday at noon. These gifted homilists deserved larger congregations who, I believe, would have benefited from their words. Without the ability to transmit all their words, I felt inspired to push out just a few from time to time. I should also note that I was in the gallery of the church, for sermon-focused liturgy that included neither Holy Eucharist nor Holy Baptism.

We could go a step further. If you are wearing a vestment, you should not tweet. In fact, your phone should be off. As a leader in the liturgy, I believe that you should be prayerfully focused on the task at hand. If you have trained to be a leader in the liturgy, which you have because you are vested for the occasion, you should not be doing something else. Choir, I'm looking in your direction.

And a step further yet, what about vesting a tweeter's guild? Seated with the acolytes in a 21st century prie-dieu, their duty in the service is to broadcast the words and action of that liturgy.

As you can see, I wrote a lengthy article because I did not have time to write a short one, but perhaps I might better organize my thoughts thusly:

  1. How is tweeting defined as a liturgical behavior?
  2. How should technology's role in our lives be adapted to/excluded from liturgy?
  3. How does a community go about defining its position on smartphones in the pews?

This reflection sparked by the good work at #ChSocM (Church Social Media) Tweetchat

Labels: , ,

 
27 April 2010
organist - Atlanta Braves

Give the Braves this much: They have a creative organist. When Howard comes to the plate, the organist sometimes plays the theme from The Office, the Scranton-based NBC sitcom that has a character by the same name. For Raul Ibanez, he plays Werewolves of London because there's a point in the Warren Zevon song when the artist screams something that sounds like "Rauuuulll."

"Phillies Extra" Philadelphia Enquirere 21 Apr 2010

The comments suggest that the organist also takes request by Twitter.

This seems like not a bad idea . . .

Labels: , ,

 

©MMXVII Sinden.org: a site for fun and prophet

Organ and church music, esoteric liturgics, and a site that changes color with the liturgical year.

Archetypes

Looking for Carol Spreadsheets?

Hungry? Try the Liturgical Guide to Altoids Consumption

Thirsty? Try the Tibia Liquida

The Eric Harding Thiman Fan Page: The greatest composer you've never even heard of.

Infrequently Asked Questions

picture of a chicken

Questions? Problems? email the sexton.

Archon

The author of this website is an organist whom the New York Times calls “repeatedly, insisting that he pay for his subscription”. He likes to read parking meters, music, Indianapolis Monthly, and weather forecasts in Celsius, particularly whilst wearing cassock and surplice. He serves lasagna, overhand, as an example to many, and on ecclesiastical juries. He mixes salads, drinks, and metaphors. He takes photos, lots of dinner mints, and a little bit of time to get to know.

about

contact

Archbishops

Anglicans Online
Alex Ross: The Rest is Noise
Book of Common Prayer
Brain Pickings
The Daily Office
The Lectionary Page
Sed Angli
Ship of Fools
The Sub-Dean's Stall
Vested Interest - Trinity Church in the City of Boston

Archenemies

Andrew Kotylo - Concert Organist
Aphaeresis
Anne Timberlake
Bonnie Whiting, percussion
conjectural navel gazing: jesus in lint form
Friday Night Organ Pump
Halbert Gober Organs, Inc.
in time of daffodils
Joby Bell, organist
Musical Perceptions
Musings of a Synesthete
My Life as Style, Condition, Commodity.
Nathan Medley, Countertenor
Notes on Music & Liturgy
The Parker Quartet
Roof Crashers & Hem Grabbers
Steven Rickards
That Which We Have Heard & Known
This Side of Lost
Wayward Sisters
Zachary Wadsworth | composer

Archenemies Aviary

@DanAhlgren
@dcrean
@ericthebell
@jwombat
@larrydeveney
@nmedley
@samanthaklein
@sopranist
@voxinferior

Arches

Advent (Medfield MA)
All Saints, Ashmont (Boston MA)
All Saints (Indianapolis IN)
Atonement (Bronx NY)
Broadway UMC (Indianapolis IN)
Cathedral of All Saints (Albany NY)
Christ Church (Bronxville NY)
Christ Church (Madison IN)
Christ Church (New Haven CT)
Christ Church Cathedral (Indianapolis IN)
Christ's Church (Rye NY)
Church of St. Stephen (Hamden CT)
Congregational (Belmont CA)
Coventry Cathedral (UK)
First UMC (Lancaster SC)
Gloria Dei ELCA (Iowa City IA)
Immanuel Lutheran (St Paul MN)
Immanuel Lutheran (Webster NY)
John Knox PCUSA (Houston TX)
St Andrew (Marblehead MA)
St Andrew's, Oregon Hill (Richmond VA)
St Bartholomew the Great, (London, England)
St James's (Lake Delaware NY)
St James's (Richmond VA)
St James Cathedral (Chicago IL)
St Mary's Cathedral (Memphis TN)
St Matthew and St Timothy (NYC)
St Paul's (Cleveland Heights OH)
St Paul's (Indianapolis IN)
St Paul's Cathedral (Buffalo NY)
St Paul's, K Street (Washington DC)
St Peter's (Lakewood OH)
St Peter's ELCA (NYC)
St Stephen's (Richmond VA
St Thomas (New Haven CT)
St Thomas ELCA (Bloomington IN)
Second PCUSA (Indianapolis IN)
Towson Presbyterian Church (MD)
Tremont Temple Baptist (Boston MA)
Trinity (Indianapolis IN)
Trinity on the Green (New Haven CT)

Auraling

BBC Radio 3 Choral Evensong
New College (Oxford, England)
St John's College (Cambridge, England)
St Thomas (New York NY)

Argyle

Like the site? Buy the shirt.

Areyou . . .

selling diphthongs?
Yes, but they're not the kind you buy on Wheel of Fortune.

the owner of a bower at Bucklesfordberry?
Full daintily it is dight.

interested in touch lamps?
And fountain pens.

Archives
this site used to be better:

March 2004
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009
October 2009
November 2009
December 2009
January 2010
March 2010
April 2010
May 2010
June 2010
July 2010
August 2010
September 2010
October 2010
November 2010
December 2010
January 2011
February 2011
March 2011
April 2011
May 2011
June 2011
July 2011
August 2011
September 2011
October 2011
November 2011
December 2011
January 2012
February 2012
April 2012
May 2012
June 2012
July 2012
August 2012
September 2012
October 2012
December 2012
January 2013
March 2013
April 2013
May 2013
June 2013
July 2013
August 2013
September 2013
October 2013
November 2013
December 2013
January 2014
February 2014
March 2014
April 2014
May 2014
June 2014
August 2014
September 2014
October 2014
November 2014
December 2014
January 2015
February 2015
April 2015
May 2015
June 2015
July 2015
August 2015
September 2015
October 2015
November 2015
December 2015
January 2016
February 2016
March 2016
April 2016
June 2016
July 2016
August 2016
September 2016
October 2016
November 2016
December 2016
January 2017
February 2017
March 2017
April 2017
May 2017
June 2017
July 2017
August 2017
September 2017
October 2017
November 2017
December 2017
January 2018
February 2018
March 2018
April 2018
May 2018
June 2018
August 2018
September 2018
October 2018
December 2018
February 2019
March 2019
October 2019
December 2019
September 2020
December 2020
January 2021
September 2021
October 2021
December 2021
November 2022
December 2022
March 2023
July 2023
March 2024
April 2024
August 2024
September 2024
October 2024
December 2024
January 2025
February 2025
April 2025
May 2025
August 2025
September 2025
December 2025
June 2026
July 2026