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Sinden.org published its traditional preview of the music list for the Festival of Nine Lessons and Carols from King's College, Cambridge on November 24.
Now, for the days leading up to the service, we'll offer a Kalendar of Carols: a more in-depth look at each piece of music to be sung.
So far, we've covered the opening hymn, Bidding Prayer, In the bleak mid-winter – Harold Darke, Adam's Fall – Richard Elfyn Jones, Love came down at Christmas – arr. Stephen Cleobury, and How shall I fitly meet thee – Bach.
Why not have a listen to Ledger's?
Labels: Christmas, King's College (Cambridge), Lessons and Carols, Philip Ledger
Stephen Cleobury writes:
"This year's selection has a very strong King's basis. The commissioned carol is from Richard Causton, a Fellow of King's College, and a university lecturer in composition. He has, in turn, commissioned a new text from George Szirtes, which has strong contemporary resonances.In September we heard the sad news of the death of one of my predecessors here at King's, the legendary Sir David Willcocks. His many carol arrangements and descants are known the world over, and we include a number of these. Near the beginning and the end are pieces by Vaughan Williams and Howells, both composers having been very closely associated with David Willcocks.
Also, during the summer, the world of church and organ music mourned the loss of John Scott, whose setting of Nova, Nova comes after the Annunciation lesson.
We mark the 70th birthday of John Rutter by including two of the carols he has written for King's over the years. Bob Chilcott, 60 this year, is a former chorister and choral scholar of King's, and his commission for the Choir is also programmed.
Carols by Boris Ord, Harold Darke and Philip Ledger also find a place. Ord and Ledger were, respectively, the predecessor and successor of Willcocks, while Darke looked after the Choir during WW2."
Labels: Christmas, Cleobury, Darke, Howells, King's College (Cambridge), Ord, Philip Ledger, Richard Causton, Rutter, Willcocks
As it is our care and delight to await the coming of the 2015 King's College Festival of Nine Lessons & Carols, we must in heart and mind review the music list for this, the most famous regularly occurring church service in the entire world.
The second organ voluntary is "Sortie on 'In dulci jubilo' " by David Briggs, a former organ scholar at King's. This organ piece was last performed in 2007.
The Sinden.org spreadsheet of carols at this service has been updated with this year's information.
This article was updated at 9 o'clock Central Time with descant information after an overwhelming response from our readers.
Labels: Christmas, David Briggs, Howells, John Scott, King's College (Cambridge), Ord, Philip Ledger, Richard Causton, Rutter, Willcocks
So last week, when we were all watching the consecration of Immanuel Chapel at Virginia Theological Seminary, there was a wonderful anthem by David Hurd.
Then this happened on Twitter
@nelsojl that really was lovely. I didn't know it.
— David Sinden (@sinden) October 13, 2015
And then, this:
@nelsojl do we know you're top ten favorites? Because you need to blog that or something.
— David Sinden (@sinden) October 13, 2015
So, today, we welcome Jessica Nelson, guest blogger, with a top ten list (in no particular order) of her favorite carols and anthems for Advent and Christmas.
This makes me have all the feelings. Minimalism & some sexy suspensions, but not so long that it gets tedious.
It's like a modern choral chorale prelude. A post-modern take on Praetorius. Some really good prickly moments. I first heard this on a recording from Clare College that my fourth-favorite alto lent me. She has now been promoted to third-favorite alto.
My favorite of the Strathclyde Motets. Furthermore, I could listen to James MacMillan read his grocery list all day long. He is also not terrible to look at. AND! You can follow him on the Twitter @jamesmacm.
(The title of this YouTube video reads, "...hope in Three, O Lord." I feel like that Means Something.)
The alleluias remind me of Rejoice in the Lamb, but only a little.
Purely, purely sentimental reasons. Millsaps College Singers. Every single year.
Because it's Howells. And the magnificent text painting. And because it's charm lies in that it's absolutely no longer than it is. It's like a little perfect pearl.
The sonic equivalent of Scotch. It makes you feel warm from the inside out.
I have been totally smitten with this text by Rowan Williams for a couple of years. This is the best setting of it I've encountered so far. I wish more folks would set it. I think the possibilities are endless.
This, like the Stopford setting of the Coventry Carol, is one of the few settings of either of those carols that isn't overly sentimental, but instead captures the gravitas that those texts really demand. It's just nice to hear someone (and a young female composer, especially!) writing music for Advent/Christmas that isn't like listening to a Thomas Kinkade painting.
I think Hurd's writing just so masterfully captures the text. And it's just as much a Palm Sunday text as a Christmas one.
[Editor's Note: This setting also appears at Hymn 104 in the Hymnal 1982]
Honorable mentions:
Jessica Nelson lives in Tupelo, Mississippi, where she is organist/choirmaster at All Saints' Episcopal Church. In her spare time, she composes a little and watches Netflix a lot. You can follow her on the Twittergram @nelsojl.
Labels: Abbie Betinis, Advent, Cesar Carillo, Christmas, church music, Felciano, Howells, Hurd, Jessica Nelson, MacMillan, Mark Schweizer, Philip Ledger, Poston, Randall Thompson, Sandström, Stopford
The Festival of Nine Lessons and Carols at King's College, Cambridge is surely single most listened to regularly occurring church service in the world. Through live and delayed radio and web broadcasts, this service reaches millions of listeners annually.
It has reached that magical point of the year where it comes time to examine what we shall hear at this year's Festival.
We at sinden.org also made some predictions and we need to see how our crystal ball performed.
Final Score: 3.5 not a great showing this year.
A larger number of carols have not been addressed by our predictions. Here they are, in order.
After the first lesson we hear Remember, O thou man by Thomas Ravenscroft. This lovely, simple carol was last sung in 2011.
After the second lesson we hear the Peter Maxwell Davies carol "One Star, at Last". This carol, with words by George Mackay Brown was commissioned for this service in 1984. It was the second in the series of annually commissioned carols in Stephen Cleobury's tenure.
Sung much less often that the Pearsall setting, the older setting by Hieronymus Praetorius of In dulci jubilo follows. This eight part motet was last sung in 2008.
The unbeatable Sussex Carol arranged by David Willcocks follows the third lesson. It last appeared in 2011.
The immaculate A spotless rose of Herbert Howells follows fourth lesson. It is the only Howells carol to appear in the service (at least in recent memory*), and it has not been sung since 2008. As it's superb final cadence fades, the choir will take up the strains of the medieval "There is no rose", a carol that appears frequently in the service of the years, and was last sung in 2009.
The fifth lesson brings the simple Gabriel's Message by Edgar Pettman, last sung just a couple years ago.
Harrison Birtwistle's "Lullaby" comes up after the sixth lesson. Though it hasn't been sung before, Birtwistle's "The Gleam" was the commissioned carol in 2003. The Birtwistle is followed by the familiar Gustav Holst setting of In the bleak midwinter. This carol was last sung in . . . wait a minute. We think the choir has recorded this, but we can't find any indication that it has been sung in this service in recent memory*. The homophonic ease of this carol is probably need as a foil to (we presume) the polyphonic difficulty of the Birtwistle.
Similarly, Hector Berlioz's L'adieu des Bergers (The Shepherd's Farewell), has also been sung by the choir (see below) but never at this service -- note that Carols from Kings, pre-recorded for television broadcast, is not the same as the Christmas Eve service, which is broadcast live on the radio only.
Director Stephen Cleobury has commissioned a new carol every year since 1983. This year the commission goes to Swiss composer Carl Rütti. His setting of "I wonder as I wander" (see below) is familiar to listeners to this service. "I wonder" was last sung in 2011. We will update this paragraph with information about this year's commission De Maria Virgine as that information becomes available.
After the Rutti commission follows the rather saccharine setting of Ding! Dong! merrily on high by Mack Wilberg. Though previously sung in 2007, 2009, and 2010, many of us question whether this carol will really have a long tenure in this service.
The other traditional elements of the service are in place: the final two hymns are "O come, all ye faithful" and "Hark! the herald angels sing". The service concludes, as always with the Bach Organ Prelude on "In dulci jubilo," BWV 729. The final organ voluntary, which changes year to year, is the Final of the Sixth Organ Symphony by Charles-Marie Widor.
Our spreadsheet of all the carols since 1997 has been updated
*We have resorted to the phrase "in recent memory" when necessary because our records only go back to 1997. We very much wish to continue this research, in person, in Cambridge, in 2016/17. Surely a sabbatical is needed.
Labels: Bach, Berlioz, Birtwistle, Cleobury, Holst, Howells, Mackay Brown, Mathias, Maxwell Davies, Ord, Pearsall, Philip Ledger, Praetorius, Ravenscroft, Rutter, Rutti, Warlock, Widor, Wilberg, Willcocks
Today, Tuesday 11 December 2012 the service leaflet for this year's service was posted online. Last year's leaflet was also released online about this time, Tuesday 13 December 2011.
The service will once again open with "Once in royal David's city".
We should have been more confident with our prediction that the Invitatory Carol would be "Up! good Christian folk and listen" by Woodward because it totally is that carol.
We missed the mark in regard to the first carol after the First Lesson. That carol is "This is the truth sent from above" by Ralph Vaughan Williams, which was last sung in 2010 as the Invitatory Carol. Before that, it was sung in this position in 2007.
Stephen Cleobury has thrown a curve ball with a setting of "Adam lay ybounden" by Christopher Brown, a new work first performed 9 December 2006 in Linton, Cambridgeshire. This is the first time in my records that the sung setting of this carol has been composed by someone other than Peter Warlock or a Director of Music at King's.
Philip Ledger, who died on 18 November is commemorated with two carols in this year's service: his arrangement of "Good Christian men, rejoice", and "A spotless rose". "Good Christian men, rejoice", sung after the Second Lesson, has not been previously sung at the service in this arrangement -- and we have not been aware of it before now. You can listen to a performance on the Christ's College, Cambridge recordings page. We had predicted that Pearsall's "In dulci jubilo" would be sung here, (the same tune. Likewise, we predicted Howells's a "A spotless rose" to be sung after the Fourth Lesson, the same position it held in last year's service. It returns, but in the exact same setting by Ledger. This carol was composed for the King's service in 2002, but it did not bear the distinction of being the commissioned carol that year (it was "The angel Gabriel" by Robin Holloway).
We were right in our prediction that the Sussex Carol is not being sung after the Third Lesson. It is instead, a repeat of last year's "Nowell sing we now all and some". This is one of four repeats of the internal carols from last year's service (not counting the three constant carols that bookend the service: "Once in royal", "O come, all ye faithful", and "Hark! the herald"). The four carols being repeated are:
All this repetition from last year may be meant to offset some of the extra "newness". In addition to the commissioned carol there is a carol written for the choir's last CD, and that new (shocking!) setting of "Adam lay ybounden".
The hymn after the Third Lesson. It is "Unto us is born a Son". For the 16 years for which we have records it will have been sung six times in this slot. It just edges out "It came upon a midnight clear" which has beens sung five times.
The commissioned carol by Australian composer Carl Vine, "Ring out, wild bells is heard as the second carol after the Fourth Lesson. We're standing by our prediction that it will be awesome.
The hymn after the Seventh Lesson is not "God rest ye" as we thought it might be. It's "While shepherds", one of the four repeats mentioned above.
Since 2000, Stephen Cleobury has included one of his own carol arrangements in the service. The trend continues this year with "The Cherry Tree Carol", the melancholy story of pregnant Mary and indignant Joseph that could be equally at home in an Advent carol service. It was last sung in 2004.
John Rutter's "All bells in paradise" a carol written for the recently released Lessons & Carols CD on the college's new CD label is included in the service after the Sixth Lesson.
William Mathias's "Sir Christèmas" from his carol sequence Ave Rex is the final choir carol of the service. We don't believe that it has been sung at the King's service before.
The famous spreadsheet of all the carols sung at the service since 1997 has been updated.
Labels: Carl Vine, Christmas, Christopher Brown, John Rutter, King's College (Cambridge), Mathias, Philip Ledger
The website of King's College has proclaimed that "The 2012 service booklet will be available at the beginning of December."
Labels: Christmas, Howells, King's College (Cambridge), Philip Ledger
It's time once again for the annual broadcast of A Service for Advent with Carols, sung by the very fine Choir of St. John's, Cambridge.
You can listen the service for the next six days at the BBC, and we at Sinden.org highly recommend that you avail yourself of this opportunity.
You can download a PDF of the service at the College website.
This service is famed for many reasons. The singing is of the highest standard, and the liturgy is very thoughtfully conceived. The service is divided into four sections (The Message of Advent, The Word of God, The Prophetic Call, and The Christ-Bearer) mirroring the four weeks of Advent. In fact, the collects at the head of each of the first three sections is the Prayer Book collect for the respective Sunday of Advent. The fourth collect, however, either must come from a different source or was specifically composed for the service.
The seven Advent "O Antiphons" are evenly distributed throughout the four sections.
Highlights this year include:
Labels: Advent, James Long, John Rutter, Matthew Martin, Philip Ledger, St John's (Cambridge), William Whitehead
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